Produktai skirti kamera (412)

Die neue IR-Kamera optris PI 08M minimiert durch den Wellenlängenbereich von 800 nm Messfehler bei unbekannten oder sich verändernden Emissionsgraden. Aufgrund des Spektralbereichs sowie des durchgängigen Messbereichs von 575 °C bis 1900 °C ist die kompakte Wärmebildkamera speziell für die Temperaturmessung für alle Laserbearbeitungsprozesse durch hervorragende Blockung von Strahlung geeignet. Die Bildfrequenz von 1 kHz und die hohe optische Auflösung ermöglichen eine optimale Anpassung an die jeweilige Anwendung. Temperaturbereich:575 °C ... 1900 °C Spektralbereich:780 - 820 nm Bildfrequenz:32 Hz/ 80 Hz (umschaltbar auf 27 Hz)/ 1 kHz (schneller Linescan-Modus) Optische Auflösung:764 x 480 Pixel/ 382 x 288 Pixel/ 72 x 56 Pixel/ 764 x 8 Pixel Gewicht:245 - 311 g (abhängig von Objektiv) Spannungsversorgung:via USB

Camaleon Rental offers rental of Digital Cinema Cameras. Film camera rental of the leading brands: Arri, Red, Sony, Phantom, Panasonic, Canon, or Blackmagic. Among our Rental catalog we offer film camera equipment with spherical or anamorphic optics and accessories to configure your recording equipment for your project. Check our rental offers for film cameras. Choose the Cine Lenses that best suit your project. Camaleón Cinema offers filming services with film cameras throughout Spain and Portugal. With offices in Madrid, Malaga, Almeria, Seville, Valencia, Lisbon. As a novelty we offer for rent the new Arri Alexa 35 and Sony Venice 2 Digital Cinema Cameras. Check our rental offers for your advertising or fiction filming.

Knight Optical can offer Circular Sheet Polariser for use within Photographic Applications. We supply a range of Circular Sheet Polariser for a range of applications. All individually QA checked and metrology tested for quality to ensure parts meet customer specification. Supplied in a range of sizes and shapes with custom coatings tailored to meet your individual applications. Knight Optical supply precision optical components to customers within Photographic Applications. Our Circular Polarisers consist of a quarter wave plate cemented to a linear polariser. While a linear polariser may be used to reduce glare during photography (such as reflection from the surface of a body of water), autofocus systems struggle to correctly focus on linearly polarised light. With the addition of the quarter wave plate, this has little impact on the intensity of incident light to the sensor, but it makes autofocussing much easier. For more information read PDF… Shapes: :Circular Polarisers, Square Polarisers Dimensional Tolerances::+/- 0.5mm

Esta cámara tiene un gran flujo de trabajo en todos los formastos que es capaz de grabar: 4K, UHD, 2K y HD. Su diseño permite que se pueda usar para el cine de máxima calidad, como publicidad o TV. El diseño de ésta cámara consta de una división de módulos, uno de la cámara y otro de grabación externa, y permiten la opción de desacoplarse así pueden funcionar solos o unidos, a través de conexión de cable o inalámbrica, lo que nos permite que el trabajo sea más fácil a la hora de usar grúas o estabilizadores. La marca Codex ha diseñado un módulo para la grabación en 4K RAW especialmente para ésta cámara. Este modelo de cámara también nos permite la desanamorfización en la reproducción de imagen, realizar memorias y pre ajustes de WB, IE y Obturación. Tiene un sensor MOS Super 35 de 8.9 megapíxeles con unas dimensiones de 26.7mm de alto y 14.1mm de ancho. Tiene un total de 4448 x 2308 píxeles efectivos y llega a superar los 14 stops de rango dinámico.

Es una cámara que trabaja con una resolución de hasta 12K que proporciona una alta calidad de imagen en 8K y 4K, también dispone de un sensor Super 35mm y 14 pasos de rango dinámico integrados, de 12K 12.288 x 6480 pixeles con lo que tiene una resolución excelente para producciones de alta gama. Acepta 80 Megapíxeles por cuadro a 60 f/s en formato RAW y 14 pasos de rango dinámico. La cámara URSA Mini Pro 12K tiene una resolución tan alta que increíblemente supera los parámetros tradicionales de la industria del cine, ya que tiene las ventajas de los rodajes en cinta con detalles increíbles y colores muy vivos e intensos. También, podemos filmar a 60 f/s en 12K, 120 f/s en 8K y hasta 240 f/s en 4K (Super 16). Tiene una montura PL intercambiable, filtros de densidad neutra integrados, dos ranuras para tarjetas CFast y SD UHS-II, y un puerto de expansión USB-C SuperSpeed.

Optically clear & manufactured for Drone & Vision system cameras & CCTV - Knight Optical has successfully launched a range of Stock Optical Domes for protective housing for Drone and Vision system cameras, where protection of electronic sensor systems and expensive fish-eye lenses from harsh liquid and gas environments is essential. A dome is essentially a window that has two parallel curves faces. Our domes are high quality with good form error polished faces to ensure high clarity and transmission in the Visible and NIR spectrums allowing for accurate measurement. Capabilities: Domes are readily mountable, optically clear and manufactured to a high standard. Available from 5mm to 200mm in diameter and 0.25 to 10mm in thickness offering high transmission and extreme toughness for harsh environments. For more details read the PDF ... BK7:PMMA Acrylic Quartz:Sspphire Germanium:Silicon

Camera precision aluminum cavity.

We offer the best Blackmagic cinema cameras for rent: Blackmagic Ursa Mini Pro 4.6K G2, Ursa Mini 12K and Blackmagic Ursa Mini 4.6K PL.

In a well-planned shoot and with the help of a qualified operator, a telescopic crane is perfect for minimizing camera placement times, it can make tracking movements without the need for tracks, that is, it makes everything faster, which leads to make it cheaper. Camaleón Rental puts at your disposal several options to make possible the camera movements that you have always imagined, advised by professionals with years of experience in the use of this type of cinematographic tools in any type of situation. In other words, we advise you on everything, starting with the choice of the model that suits your production, the choice of the necessary personnel for its set-up, its use and even the way of transporting it.

Aspherics with a range of infrared materials incld Ge, CaF₂, ZnS, ZnSe, & Al - We can supply you with a custom made Diamond turned aspheric lenses for use within Thermal Imaging Cameras. Thermal Imaging Cameras work similarly to traditional visible camera systems; while traditional cameras form images using visible light; thermal cameras form images using infrared radiation; operating in wavelengths as long as 14µm. Spherical aberration occurs in common singlet lenses, which results in an image that appears distorted, aspheric lenses correct spherical aberration. An aspheric lens surface is designed non-spherical, which allows a single component lens to collimate or focus highly divergent rays, potentially replacing a multi-lens system. This in turn provides the camera system with a better image quality. Knight Optical offers diamond turned aspherics from a range of infrared materials including Germanium (Ge), Calcium Fluoride (CaF₂), Zinc Sulphide (ZnS), Zinc Selenide (ZnSe), Aluminium (Al) and chalcogenide glasses like AMTIR (Ge33As12Se55 ) PDF FOR INFO Material::Germanium, ZnSe, Caf2, Silicon, Zinc Selenide (For LWIR) Diameter::Up to 200mm dia +0, -0.02mm Thickness::+/- 0.2mm Flatness::< 1/2 wave over 90% aperture Surface quality::< 40-20 scratch/dig Parallelism::5 arcmin Coating::AR/DLC (3-5 micron, 7-14 micron, 10-12 micron)

IR materials Germanium Calcium Fluoride Zinc Sulphide Zinc Selenide Aluminium - Diamond turning is an Aspherics best friend! Knight Optical can supply you with a custom made Diamond turned aspheric lenses. Diamond turned aspheric optical lenses are typically used in missile guidance systems, night vision/thermal Imaging cameras and other military based optics and commercial infrared systems (IR). The benefit of Diamond Turned Aspheric optics, are that lens shapes can be manufactured very accurately without an expensive tooling cost except for the diamond bit; and is cost efficient for small quantities. Which are ideal for use within the Defence and Aerospace Industry. Knight Optical offers diamond turned aspherics from a range of infrared materials including Germanium (Ge), Calcium Fluoride (CaF₂), Zinc Sulphide (ZnS), Zinc Selenide (ZnSe), Aluminium (Al) and chalcogenide glasses like AMTIR (Ge33As12Se55 ). For more details read the PDF... Material::Germanium, ZnSe, Caf2, Silicon, Zinc Selenide (For LWIR) Diameter::Up to 200mm dia +0, -0.02mm Thickness::+/- 0.2mm Flatness::< 1/2 wave over 90% aperture Surface quality::< 40-20 scratch/dig Parallelism::5 arcmin Coating::AR/DLC (3-5 micron, 7-14 micron, 10-12 micron)

Stock & custom precision optical filter in materials such as Schott Kopp & CDGM - Knight Optical can offer you Stock and Custom Colour Glass Filters, for use within Inline Cameras in a range of materials of brands such as Schott, Kopp and CDGM. Depending on the achievable wavelength and desired affect you need for the Inline Camera we can find a suitable material for your application. Colour Glass Filters are good for selecting a particular wavelength to be absorbed so that the high out of band blocking in achieved. With regards to the use in Inline Cameras, Colour Glass Short pass Filters are more desirable as they cut out the IR wavelengths mean the imaging is not saturated with the IR giving the image better clarity. Colour Glass Filters are polished sheets of special glass that have been cast with a dye. Colour Glass Filters generally are relatively cheap and very stable. The disadvantage with them is that they are only available in a relatively small number of variants, and so can be restrictive in shortwave selection.  For More Info see PDF... Material::Color glass Diameter::+0.0 / -0.20 mm Length / width::± 0.20 mm Thickness::± 0.20 mm Surface quality::<60-40 scratch/dig Parallelism::<3 arcmin

The C500 Mark II camera comes standard with a 5.9K full-frame CMOS sensor with over 15 stops of dynamic range. Its built-in DIGIC DV 7 Image Processor increases functionality and flexibility to enable features such as 5.9K recording, internal Canon Cinema Raw Light recording and Dual Pixel Autofocus. Canon C500 Mark II allows us to enjoy optional interchangeable lens mounts so that we can adapt them to our requirements according to the project we carry out. The EF lens mount is compatible with many Canon EF lenses, such as EF cine primes, while the optional PL mount can be used with the Cooke/i system. In addition, we can also use the B4 mount adapters with B4 optics. This camera can also record at high speed as it supports up to 60 frames per second at 5.9K.

Generally, one of the things that is looked at the most to see what the quality of an audiovisual production is is the quality of the tracking shots and camera movements in general that are used for it. Most of the shots that have echoed in the cinema have been made with the use of cars and rails to respond to their narrative demands. Any car is not good for obtaining the smooth and precise movements we are looking for, and depending on the optics you have mounted on the camera, a car or tracks that are not of good quality will surely spoil the desired shot. At Camaleón we offer and advise on the carts and dollies of the best brands on the market so that your movements come out in the best possible and desired way.

This camera has a great workflow across all formats it is capable of recording: 4K, UHD, 2K, and HD. Its design allows it to be used for the highest quality cinema, such as advertising or TV. The design of this camera consists of a division of modules, one for the camera and the other for external recording, and they allow the option of being uncoupled so they can work alone or together, through a cable or wireless connection, which allows us to job easier when using cranes or outriggers. The Codex brand has designed a module for recording in 4K RAW especially for this camera. This camera model also allows us to de-anamorphize image reproduction, make memories and pre-adjust WB, IE and Shutter. It has an 8.9-megapixel Super 35 MOS sensor with dimensions of 26.7mm high and 14.1mm wide. It has a total of 4448 x 2308 effective pixels and reaches more than 14 stops of dynamic range.

Ce sont des goupilles usinées en acier inoxydable,pour accessoires mécaniques compacts.

It is a recording system for all types of cameras that has become a standard, not only for filming feature films, but it is also a magnificent tool for advertising filming. This car camera system with a Motocrane gyroscopic crane allows us recording and logistics possibilities for filming that cannot be transported by truck. The complete system can travel in any type of vehicle which leads to being able to lower the price of filming. The Motocrane ULTRA camera car system easily handles any terrain and almost any type of weather, even the most extreme. The arm design features active gyro stabilization and passive, 3-axis adjustable damping to isolate the head pack and camera for solid image stabilization. Motocrane car camera is made of 7075 and 6061-T6 aluminum which makes it very light and resistant.

En Camaleón Rental ofrecemos para alquilar accesorios de cámara. Disponemos de todo lo que necesites para tu equipo de cámara. Puedes configurar a tu gusto todo tipo de accesorios pensando en cuales son los que más se adapten a tu rodaje. Disponemos de trípodes Oconnor y Ronford, cabezas fluidas Arri, Oconnor ó Cartoni, monitores Onboard o de dirección Panasonic, Tvlogic y Transvideo, También tenemos radioenlaces de señal de video Paralinx Toma Hawk ó Teradek Bolt, mandos de foco Inalámbricos y manuales Arri, Oconnor Scorpio. Portafiltros y filtros de las mejores marcas del mercado en 4x4 4x5,6 y 6x6, Grabadores Odyssey, Atomos, Sound Devices, Magliners y carros de cámara Lince Crane, Easyrig entre otros. Trabajamos con las mejores marcas de accesorios para que la cámara esté bien equipada y no les falte un detalle. A la hora de alquilar asesoramos de cuáles son los mejores accesorios requeridos que puede usar en su cámara según el tipo de rodaje que vaya a realizar.

Ponemos a su disposición el alquiler de una estación DIT para concluir totalmente su producción de largometraje, publicidad o televisión. Es un sistema que puede trabajar con cualquier cámara, y da los mejores flujos de trabajo para Alexa SXT, Alexa XT Plus, Amira Premium, Red One, Red Epic, Sony, Phantom, Blackmagic, etc) y realiza backups en discos RAID a través de conexiones USB-3 y Thunderbolt y ofrecen la máxima velocidad para generar varias copias en alta velocidad al mismo tiempo. Puede crear cualquier tipo de proxies o dailies transcodificando el material rodado en diversos formatos, tanto para montaje y postproducción, como para visionados por parte del realizador, director de fotografía, jefe de producción... Generar LUTs para que el DoP pueda ver la señal con el aspecto que tiene en mente. Trabaja en tiempo real en formatos HD, 2K y 4K, y también podemos realizar el montaje secuencias en el propio set. El software incluido permite generar checksums de los volcados...

Die optris PI NetBox ist ein Miniatur-PC für die Infrarotkameras der PI-Serie. Sie erweitert die optris PI-Serie zu einer Stand-Alone-Lösung bzw. arbeitet als Umsetzer von USB auf Ethernet. Hierdurch werden größere Distanzen zwischen Prozess (PI-Kamera) und Prozessüberwachung (PC) ermöglicht. Abmessungen:113 x 57 x 47 mm Material (Gehäuse):eloxiertes Aluminium Gewicht:385 g Prozessor:Intel® E3845 Quad Core 1,91 GHz Anschlüsse:2x USB 2.0, 1x USB 3.0, 1x Mini-USB 2.0, Micro-HDMI, Ethernet (Gigabit Ethernet)

Generalmente una de las cosas que más se miran para ver cual es la calidad de una producción audiovisual es la calidad de los travellings y movimientos de cámara en general que se usan para la misma. La mayoría de planos que han hecho eco en el cine se han realizado con el uso de carros y railes para responder a sus exigencias narrativas. Cualquier carro no vale para obtener los movimientos suaves y precisos que buscamos, y según la óptica que tengas montada en cámara, un carro o unas vías que no sean de buena calidad seguramente estropeen la toma deseada. En Camaleón ofrecemos y asesoramos sobre los carros y dollies de las mejores marcas del mercado para que tus movimientos salgan de la mejor forma posible y deseada.

It features two 36x24mm full frame image sensors, built specifically for the demands and performance of the highest quality cinematography. Each sensor offers remarkable sensitivity, latitude, and color rendition, and in addition to being interchangeable, users can easily switch between sensors, without any additional firmware, and can even use the sensor from the Venice (ancestor camera). It has an 8K sensor that captures images up to 8640 x 5760 resolution, while the established 6K sensor gives a maximum of 6048 x 4032. Both give powerful upsampling for perfect 4K images. At full frame, you can use the full width of the sensors (8640 or 6048 pixels) for a 2.39:1 spherical widescreen or large format. We can use FullFrame creatively in different ways.

En un rodaje bien planeado y con la ayuda de un operador cualificado, una grúa telescópica es perfecta para minimizar los tiempos de emplazamiento de cámara, puede hacer movimientos de travelling sin necesitar vías, es decir, hace que todo sea más rápido lo que conlleva a que sea más económico. Camaleón Rental pone a tu disposición varias opciones para hacer posibles los movimientos de cámara que siempre has imaginado asesorado por profesionales con años de experiencia en el uso de este tipo de herramientas cinematográficas en cualquier tipo de situación. Es decir, te asesoramos en todo, empezando por la elección del modelo que se adapta a tu producción, en la elección del personal necesario para su set-up, su uso e incluso la forma de transportarla.

We put at your disposal the rental of a DIT station to fully conclude your feature film, advertising or television production. It is a system that can work with any camera, and gives the best workflows for Alexa SXT, Alexa XT Plus, Amira Premium, Red One, Red Epic, Sony, Phantom, Blackmagic, etc) and performs backups on RAID disks through of USB-3 and Thunderbolt connections and offer maximum speed to generate several high-speed copies at the same time. You can create any type of proxies or dailies by transcoding the material shot in various formats, both for editing and post-production, as well as for viewing by the filmmaker, cinematographer, production manager... Generate LUTs so that the DoP can see the signal with the look you have in mind. It works in real time in HD, 2K and 4K formats, and we can also assemble sequences on the set itself. The included software allows you to generate checksums of the dumps...

These parts are used for industrial camera accessories。

Ces sont les accessories pour machines,après 3-4 axes usinage, traitement d’oxydation bleu.

KO can offer Metallic Neutral Density Filters for use in Photographic Applications. We supply a range of Metallic Neutral Density (ND) Filters for a variety of applications – all individually QA checked and metrology tested for quality to ensure parts meet customers’ specifications. What’s more, our Metallic ND Filters are supplied in a range of sizes and shapes with custom coatings tailored to meet your individual applications. Our Metallic ND Filters reflect (with a metallic coating) light neutrally over a wavelength range (typically visual). They can be used to lower the intensity of light prior to the image plane. These are often used in photography, allowing photographers more flexibility with their setups to achieve desired effects. Often, an ND filter will be used in conjunction with a long exposure to prevent washed-out and overexposed images. They can also be used to add motion blur, reduce depth of field and to use a wider aperture. For more information read PDF… Shapes: :Circular Filters, Square Filters Dimensional Tolerances::+/- 0.1mm Flatness::< 5(1) @ 632.8nm Surface quality::< 40-20 Scratch/Dig

Knight Optical offer a range of Stock Achromatic Doublet Lenses for use within Light Engines. Light engines are used for applications such as fibre optic lighting displays & in diagnostic tools like western blots & polymerase chain reaction systems. These Light Engines are typically able to produce changing colour displays. Within the light engine are a range of lenses & filters. The lenses help to homogenise and collimate the light, ensuring for a crisp high-quality beam output. Achromatic Doublets are typically used in light engine systems & correct for chromatic aberrations which exist in singlet lenses. This is when different wavelengths of light refract at different rates. The doublet lens helps to correct this by facilitating the focusing of the light to the same point. This is especially important in light engines which typically generate white light. Read PDF for more information Material::BK7, SF11 Overall Diameter Tolerance::+0/-0.10mm Focal Length Tolerance::± 1.0%

These are the accessories use in printer ,use in internals.

Arri's Alexa 35 camera, bringing to market after twelve years an innovative 4.6K sensor with 17 stops of dynamic range, Arri clarifies that it provides more beautiful colors and improvements in low-light performance. The camera has a wide range of lenses, including anamorphic and spherical, Super 35 and large format, a selection of accessories and a new application to improve workflow. It is a 35mm ARRI ALEV 4 CMOS sensor, with a resolution of 2K to 4.6K, is capable of reaching speeds of up to 120 frames per second right out of the box, weighs only 2.9Kg and LDS systems among other features. On one side of the camera, you have several connectors: an LBUS connector that connects the lens motors, a serial port for distance measuring devices, an ETH connector for remote controls, SYNC IN that is switchable to SDI...