Produktai skirti kamera (78)

It is a camera that works with a resolution of up to 12K that provides high image quality in 8K and 4K, it also has a Super 35mm sensor and 14 steps of integrated dynamic range, 12K 12,288 x 6480 pixels with which it has a resolution excellent for high-end productions. It accepts 80 Megapixels per frame at 60 f/s in RAW format and 14 stops of dynamic range. The URSA Mini Pro 12K camera has such a high resolution that it exceeds the traditional parameters of the film industry, as it has the advantages of filming on tape with incredible details and very vivid and intense colors. Also, we can film at 60 f/s in 12K, 120 f/s in 8K and up to 240 f/s in 4K (Super 16). It has a switchable PL mount, built-in ND filters, dual CFast and SD UHS-II card slots, and a SuperSpeed USB-C expansion port.

In Bilbao we offer you the rental of complete camera equipment throughout the Basque Country. The minimum service that we offer must include a camera, optics and all camera accessories: focus controls, monitors, video radio links, tripods, batteries... In Bilbao we have a large catalog of film and television camera rentals to offer. , video and broadcast. We have to rent all the material from Arri, Red, Sony film cameras, Sony, Canon, Panasonic, or Blackmagic video cameras, the best high-speed cameras, both Freefly System and Vision Research, all of this is located at our headquarters in Madrid. You can find the cameras that we offer in Bilbao on the Camaleón website. In Bilbao we also have to offer the rental of lighting equipment and grip equipment, film and TV studios, transport and of course we also manage the hiring of technical personnel from all departments, but not the hiring of personnel without equipment.

Camaleon Rental offers rental of Digital Cinema Cameras. Film camera rental of the leading brands: Arri, Red, Sony, Phantom, Panasonic, Canon, or Blackmagic. Among our Rental catalog we offer film camera equipment with spherical or anamorphic optics and accessories to configure your recording equipment for your project. Check our rental offers for film cameras. Choose the Cine Lenses that best suit your project. Camaleón Cinema offers filming services with film cameras throughout Spain and Portugal. With offices in Madrid, Malaga, Almeria, Seville, Valencia, Lisbon. As a novelty we offer for rent the new Arri Alexa 35 and Sony Venice 2 Digital Cinema Cameras. Check our rental offers for your advertising or fiction filming.

Esta cámara tiene un gran flujo de trabajo en todos los formastos que es capaz de grabar: 4K, UHD, 2K y HD. Su diseño permite que se pueda usar para el cine de máxima calidad, como publicidad o TV. El diseño de ésta cámara consta de una división de módulos, uno de la cámara y otro de grabación externa, y permiten la opción de desacoplarse así pueden funcionar solos o unidos, a través de conexión de cable o inalámbrica, lo que nos permite que el trabajo sea más fácil a la hora de usar grúas o estabilizadores. La marca Codex ha diseñado un módulo para la grabación en 4K RAW especialmente para ésta cámara. Este modelo de cámara también nos permite la desanamorfización en la reproducción de imagen, realizar memorias y pre ajustes de WB, IE y Obturación. Tiene un sensor MOS Super 35 de 8.9 megapíxeles con unas dimensiones de 26.7mm de alto y 14.1mm de ancho. Tiene un total de 4448 x 2308 píxeles efectivos y llega a superar los 14 stops de rango dinámico.

Es una cámara que trabaja con una resolución de hasta 12K que proporciona una alta calidad de imagen en 8K y 4K, también dispone de un sensor Super 35mm y 14 pasos de rango dinámico integrados, de 12K 12.288 x 6480 pixeles con lo que tiene una resolución excelente para producciones de alta gama. Acepta 80 Megapíxeles por cuadro a 60 f/s en formato RAW y 14 pasos de rango dinámico. La cámara URSA Mini Pro 12K tiene una resolución tan alta que increíblemente supera los parámetros tradicionales de la industria del cine, ya que tiene las ventajas de los rodajes en cinta con detalles increíbles y colores muy vivos e intensos. También, podemos filmar a 60 f/s en 12K, 120 f/s en 8K y hasta 240 f/s en 4K (Super 16). Tiene una montura PL intercambiable, filtros de densidad neutra integrados, dos ranuras para tarjetas CFast y SD UHS-II, y un puerto de expansión USB-C SuperSpeed.

We offer the best Blackmagic cinema cameras for rent: Blackmagic Ursa Mini Pro 4.6K G2, Ursa Mini 12K and Blackmagic Ursa Mini 4.6K PL.

In a well-planned shoot and with the help of a qualified operator, a telescopic crane is perfect for minimizing camera placement times, it can make tracking movements without the need for tracks, that is, it makes everything faster, which leads to make it cheaper. Camaleón Rental puts at your disposal several options to make possible the camera movements that you have always imagined, advised by professionals with years of experience in the use of this type of cinematographic tools in any type of situation. In other words, we advise you on everything, starting with the choice of the model that suits your production, the choice of the necessary personnel for its set-up, its use and even the way of transporting it.

The C500 Mark II camera comes standard with a 5.9K full-frame CMOS sensor with over 15 stops of dynamic range. Its built-in DIGIC DV 7 Image Processor increases functionality and flexibility to enable features such as 5.9K recording, internal Canon Cinema Raw Light recording and Dual Pixel Autofocus. Canon C500 Mark II allows us to enjoy optional interchangeable lens mounts so that we can adapt them to our requirements according to the project we carry out. The EF lens mount is compatible with many Canon EF lenses, such as EF cine primes, while the optional PL mount can be used with the Cooke/i system. In addition, we can also use the B4 mount adapters with B4 optics. This camera can also record at high speed as it supports up to 60 frames per second at 5.9K.

Generally, one of the things that is looked at the most to see what the quality of an audiovisual production is is the quality of the tracking shots and camera movements in general that are used for it. Most of the shots that have echoed in the cinema have been made with the use of cars and rails to respond to their narrative demands. Any car is not good for obtaining the smooth and precise movements we are looking for, and depending on the optics you have mounted on the camera, a car or tracks that are not of good quality will surely spoil the desired shot. At Camaleón we offer and advise on the carts and dollies of the best brands on the market so that your movements come out in the best possible and desired way.

This camera has a great workflow across all formats it is capable of recording: 4K, UHD, 2K, and HD. Its design allows it to be used for the highest quality cinema, such as advertising or TV. The design of this camera consists of a division of modules, one for the camera and the other for external recording, and they allow the option of being uncoupled so they can work alone or together, through a cable or wireless connection, which allows us to job easier when using cranes or outriggers. The Codex brand has designed a module for recording in 4K RAW especially for this camera. This camera model also allows us to de-anamorphize image reproduction, make memories and pre-adjust WB, IE and Shutter. It has an 8.9-megapixel Super 35 MOS sensor with dimensions of 26.7mm high and 14.1mm wide. It has a total of 4448 x 2308 effective pixels and reaches more than 14 stops of dynamic range.

It is a recording system for all types of cameras that has become a standard, not only for filming feature films, but it is also a magnificent tool for advertising filming. This car camera system with a Motocrane gyroscopic crane allows us recording and logistics possibilities for filming that cannot be transported by truck. The complete system can travel in any type of vehicle which leads to being able to lower the price of filming. The Motocrane ULTRA camera car system easily handles any terrain and almost any type of weather, even the most extreme. The arm design features active gyro stabilization and passive, 3-axis adjustable damping to isolate the head pack and camera for solid image stabilization. Motocrane car camera is made of 7075 and 6061-T6 aluminum which makes it very light and resistant.

En Camaleón Rental ofrecemos para alquilar accesorios de cámara. Disponemos de todo lo que necesites para tu equipo de cámara. Puedes configurar a tu gusto todo tipo de accesorios pensando en cuales son los que más se adapten a tu rodaje. Disponemos de trípodes Oconnor y Ronford, cabezas fluidas Arri, Oconnor ó Cartoni, monitores Onboard o de dirección Panasonic, Tvlogic y Transvideo, También tenemos radioenlaces de señal de video Paralinx Toma Hawk ó Teradek Bolt, mandos de foco Inalámbricos y manuales Arri, Oconnor Scorpio. Portafiltros y filtros de las mejores marcas del mercado en 4x4 4x5,6 y 6x6, Grabadores Odyssey, Atomos, Sound Devices, Magliners y carros de cámara Lince Crane, Easyrig entre otros. Trabajamos con las mejores marcas de accesorios para que la cámara esté bien equipada y no les falte un detalle. A la hora de alquilar asesoramos de cuáles son los mejores accesorios requeridos que puede usar en su cámara según el tipo de rodaje que vaya a realizar.

Ponemos a su disposición el alquiler de una estación DIT para concluir totalmente su producción de largometraje, publicidad o televisión. Es un sistema que puede trabajar con cualquier cámara, y da los mejores flujos de trabajo para Alexa SXT, Alexa XT Plus, Amira Premium, Red One, Red Epic, Sony, Phantom, Blackmagic, etc) y realiza backups en discos RAID a través de conexiones USB-3 y Thunderbolt y ofrecen la máxima velocidad para generar varias copias en alta velocidad al mismo tiempo. Puede crear cualquier tipo de proxies o dailies transcodificando el material rodado en diversos formatos, tanto para montaje y postproducción, como para visionados por parte del realizador, director de fotografía, jefe de producción... Generar LUTs para que el DoP pueda ver la señal con el aspecto que tiene en mente. Trabaja en tiempo real en formatos HD, 2K y 4K, y también podemos realizar el montaje secuencias en el propio set. El software incluido permite generar checksums de los volcados...

Generalmente una de las cosas que más se miran para ver cual es la calidad de una producción audiovisual es la calidad de los travellings y movimientos de cámara en general que se usan para la misma. La mayoría de planos que han hecho eco en el cine se han realizado con el uso de carros y railes para responder a sus exigencias narrativas. Cualquier carro no vale para obtener los movimientos suaves y precisos que buscamos, y según la óptica que tengas montada en cámara, un carro o unas vías que no sean de buena calidad seguramente estropeen la toma deseada. En Camaleón ofrecemos y asesoramos sobre los carros y dollies de las mejores marcas del mercado para que tus movimientos salgan de la mejor forma posible y deseada.

It features two 36x24mm full frame image sensors, built specifically for the demands and performance of the highest quality cinematography. Each sensor offers remarkable sensitivity, latitude, and color rendition, and in addition to being interchangeable, users can easily switch between sensors, without any additional firmware, and can even use the sensor from the Venice (ancestor camera). It has an 8K sensor that captures images up to 8640 x 5760 resolution, while the established 6K sensor gives a maximum of 6048 x 4032. Both give powerful upsampling for perfect 4K images. At full frame, you can use the full width of the sensors (8640 or 6048 pixels) for a 2.39:1 spherical widescreen or large format. We can use FullFrame creatively in different ways.

En un rodaje bien planeado y con la ayuda de un operador cualificado, una grúa telescópica es perfecta para minimizar los tiempos de emplazamiento de cámara, puede hacer movimientos de travelling sin necesitar vías, es decir, hace que todo sea más rápido lo que conlleva a que sea más económico. Camaleón Rental pone a tu disposición varias opciones para hacer posibles los movimientos de cámara que siempre has imaginado asesorado por profesionales con años de experiencia en el uso de este tipo de herramientas cinematográficas en cualquier tipo de situación. Es decir, te asesoramos en todo, empezando por la elección del modelo que se adapta a tu producción, en la elección del personal necesario para su set-up, su uso e incluso la forma de transportarla.

We put at your disposal the rental of a DIT station to fully conclude your feature film, advertising or television production. It is a system that can work with any camera, and gives the best workflows for Alexa SXT, Alexa XT Plus, Amira Premium, Red One, Red Epic, Sony, Phantom, Blackmagic, etc) and performs backups on RAID disks through of USB-3 and Thunderbolt connections and offer maximum speed to generate several high-speed copies at the same time. You can create any type of proxies or dailies by transcoding the material shot in various formats, both for editing and post-production, as well as for viewing by the filmmaker, cinematographer, production manager... Generate LUTs so that the DoP can see the signal with the look you have in mind. It works in real time in HD, 2K and 4K formats, and we can also assemble sequences on the set itself. The included software allows you to generate checksums of the dumps...

Arri's Alexa 35 camera, bringing to market after twelve years an innovative 4.6K sensor with 17 stops of dynamic range, Arri clarifies that it provides more beautiful colors and improvements in low-light performance. The camera has a wide range of lenses, including anamorphic and spherical, Super 35 and large format, a selection of accessories and a new application to improve workflow. It is a 35mm ARRI ALEV 4 CMOS sensor, with a resolution of 2K to 4.6K, is capable of reaching speeds of up to 120 frames per second right out of the box, weighs only 2.9Kg and LDS systems among other features. On one side of the camera, you have several connectors: an LBUS connector that connects the lens motors, a serial port for distance measuring devices, an ETH connector for remote controls, SYNC IN that is switchable to SDI...